V obklopení / In between / 2026

video performance

dokunentace: Lenka Sýkorová

 

 

 

SUPPORT POINTS / BWA Contemporary Art Gallery in Katowice

in exhibition project: AESTHETIC CONGRESS program kurátor: Łukasz Trzciński

28–December 31, 2026 BWA Contemporary Art Gallery in Katowice

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Jan Pfeiffer’s “Support Points” focuses on the afterlife of signs and symbols (and their systems) that artificially sustain fallen ideas. The artist’s project, initiated in Silesia in 2014, first presented at the Kronika Centre for Contemporary Art (as part of a multi-year research program titled “Project Metropolis”), was dedicated to ideas transposed through a system of visual codes that constitute the foundations of Polish national iconography. The artist’s starting point were its evergreen symbols—saber and hussar wings.
“Support Points” evolve in successive iterations, taking on a processual form—the objects that constitute them are alternately elevated and fetishized, alternately degraded, only to return to their original glory a moment later. At the Kronika Center for Contemporary Art, they were already abandoned against a wall (though still gleaming). During the unveiling at the Silesian Museum, they were intentionally exposed to weathering and erosion in an open patio. They were then resuscitated several times in new locations and contexts by the artist himself.

“Support Points” are returning after years as art fetishes, in a version dedicated to art itself. In the show at BWA Katowice, the focus of “Support Points” is art itself, rotating on its axis—its mutually devouring tongues.
The installation takes the form of an intervention in the gallery’s exhibition space, simultaneously entering into dialogue with the other narratives of the “Aesthetic Congress” exhibition, as well as the pavilion’s architecture and its “propulsive” element, the spiral staircase.
The artist’s performance will take place during the exhibition opening.
Jan Pfeiffer lives and works in Prague. He studied at the Academy of Fine Arts in Prague (2006–2011), the Prague College School of Art & Design (2002–2005) and the Cooper Union in New York (2011), he has also finished doctoral studies (Ph.D.) at the Charles University Faculty of Education, Department of Art Education (KVV) in Prague (2011-2015). He has participated in numerous exhibitions in the Czech Republic and abroad, including the Essl Art Award CEE (2009) and the Henkel Award (2011). He works in a variety of media, with interests in video, photography, animation, and drawing. He typically focuses on the topos of place and its perception. In the artist’s work, analytical reflection on historical, political, and sociocultural phenomena is combined with a fascination with mythological and religious symbolism. He is primarily interested in the almost imperceptible mechanisms and connotations that actually shape particular historical moments or social events.
Project is part of the “AESTHETIC CONGRESS” program – a year-long series of research based exhibitions and performance activites aimed at updating the formula of art institutions, carried out with the involvement of diverse, complementary artistic languages ​​and tools, and the participation of artists and curators. The primary point of reference and, at the same time, the starting point is the BWA Katowice, an institution imprinted in the center of the city’s urban and social fabric as a tool of social engineering. The modernist pavilion, now a monument of architecture, is the coeval of the Polish wave of institutional criticism. The need for its spatial and ideological updating becomes the starting point for a discourse on the meanings and dynamics of art institutions understood in a universal dimension. For the duration of the project, the main exhibition space will be transformed into a year-round art laboratory. Historical projects will dialogue with completely new ones, shaping a collective reflection.
curator of the “AESTHETIC CONGRESS” – Łukasz Trzciński
Co-financed by the City of Katowice and the Minister of Culture and National Heritage from the Culture Promotion Fund – a state special-purpose fund.
link on websites:
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Jan Pfeiffer “SUPPORT POINTS”

Nadpodzemí – Spolek přátel Malé Strana Hradčan

Kurátor: Andrey KafkaPodnadzemí Jan Pfeiffer Malá Strana

 

Rekonstrukce ateliéru je hotová 2026

Atélier Jan Pfeiffer

Výstava Open Form / Univerzita Naruto – Japonsko

Open form v Japonsku Výstavy, která byla výstupem z třídenního workshop Open Formy v Univerzitě v Naruto v Japonsku.

video performance: Mezičasí / In Between Time – 2026

 

Ve skalách

Perfomance na vernisáži výstavy nazvaná ” V kameni”

The Search for Happiness

 

Jan Pfeiffer: Search for Happiness
Space C, Spazju Kreattiv, Valletta, Malta
14. 11. 2024 – 12. 1. 2025
Artist: Jan Pfeiffer
Curator: Lenka Sýkorová

 

https://youtu.be/1LvFwTugE-w?si=cZgxL73c-0zg24om

A smile indicates a happy state of mind. Happiness as a desirable state has been promoted since the 18th century within political and social discourse. Today, happiness is perceived as well-being or the good life within the concept of social happiness (freedom and human rights), at the same time as subjective happiness (well-being) characterized by life satisfaction and an excess of positive emotions over negative ones. Voltaire defined happiness as a confluence of happy events and continuous pleasure. However, it is not possible to rejoice continuously, even if happiness is demonstrated as such on social media. Taking care of mental health, self-care and regular mental hygiene are part of the path to happiness. But this is at odds with today's hectic times, which often lead us down dead ends of envy, competitiveness, overwork and subsequent burnout. Different cultures have developed traditions and recipes for happiness ranging from Danish hygge, Swedish lagon or Japanese ikigai.
Thus, on the path to happiness and life satisfaction, we certainly find fulfillment, but also loss of motivation. We share happiness, we explore it, when we look at it from an overhead or underhead view. When we leave the self behind and merge with others on the wave of happiness. Often we also measure our happiness. But it is so fragile and elusive, and so easily lost. The communication of happiness then enhances the happiness itself. Art is not only a reflection of ideas but also a part of culture that articulates an understanding of the changing construct of perceived happiness. Visual art can translate hidden thoughts onto paper or materialize them into space in the form of an object, installation or performance. The exhibition with the title Search for Happiness is a seemingly simple metaphor or cliché conceived as a physical spatial experience in gallery space. The quest for happiness, joy and fulfilment is like an endless journey that has its ups and downs. In the drawing installation, Jan Pfeiffer also works with the concept of expected future events and the struggle not to be dominated by visions of the future, but to focus on the possibility of being here and now. The exhibition The Search for Happiness by
Czech intermedia artist Jan Pfeiffer and Czech independent curator Lenka Sýkorová is based on their long-term collaboration and mutual inspiration. The exhibition is created for the exhibition space Space C, Spazju Kreattiv. The installation is preceded by a video performance, a collaborative effort between artist Jan Pfeiffer and students from the Department of Arts, Open Communities and Adult Education at the Faculty of Education of the University of Malta.
Jan Pfeiffer explores man's relationship to space. It is based on a preoccupation with gallery space and things – objects and installations, where morphology reflects the form of things in relation to meanings. Happiness as an elusive state of mind, which is the driving force of life, materializes in the
form of a spatial experience, where the viewer is guided through the exhibition halls.

Jan Pfeiffer respects drawing as an autonomous artistic medium, but also as a study tool that allows him to express himself in the form of symbolic systems that he relates to feelings of happiness. He explores the outside and inside view, macro and micro worlds. He tries to get to the bottom of things and grasp social, cultural and political relations by translating them into visual form. His work emphasizes a narrative component, set design and choreography, which in conjunction with the visual form creates scenes that come alive with the movement of the human body. The very processuality thus becomes a point of contact for the interpretation of Jan Pfeiffers work.

Lenka Sýkorová

Jan Pfeiffer graduated from the Academy of Fine Arts in Prague (the Studio of Jiří Příhoda and the Studio of guest professor Zbigniew Libera). In his artwork, he examines space as well as motion or the static state in space that affects our perception. His means of expression include drawings, animations, objects, installations, performances and videos. The link of his artwork is accidence, the
appearance of things in relation to their everyday purpose. Jan Pfeiffer deems drawing as an autonomous medium that during the 20th century infiltrated other visual media. The author also works as a university professor, film designer and exhibition architect.

Lenka Sýkorová is an art historian, associate professor, critic and independent curator. She deals with the history and theory of fine art and graphic design with a focus on contemporary artistic expressions with an emphasis on the medium of drawing within the historical reflection of its understanding as a universal visual language connecting painting, sculpture and architecture. She
also focuses on curatorial studies by developing active curatorial and pedagogical practice drawing on contemporary methods of curatorial practice both in the Czech Republic and abroad, with an emphasis on the phenomenon of artist-run space and the artist-curator. In her scientific and research activities, she reflects on manifestations of post-conceptual art with an emphasis on intermedia form, site-specific installation, new media, collaborative art and performance art. She published in the Czech Republic and abroad. She curated a number of exhibitions in the Czech Republic, Europe, China and the USA.

Partners:
Faculty of Education Charles University, Department of Art Education in Prague, Faculty of Art and Design Jan Evangelista Purkyně University in Ústí nad Labem & Department of Arts, Open Communities, and Adult Education, University of Malta.

Tryst alternative art fair / Los Angles

https://www.torranceartmuseum.com/tryst

 

 

 

Thinking through Drawing Exhibition curated by Lenka Sýkorová and two visual artists fromFaculty of Art and Design, Jiří Kovanda and Darja Lukjanenko, is taking place at the TRYST Alternative Art Fair from 27 to 29 October 2023.

Curator: Lenka Sýkorová (CZ)
Exhibiting Artists: Darja Lukjanenko (UA), Veronika Holcová (CZ), Jiří Kovanda (CZ), Jan Pfeiffer (CZ), Dorota Sadovská (SK)

Drawing provides us with a space where you can slow down. We can even think through drawing. The fusion of thinking and drawing has become the foundation for the creation of this curatorial project, Thinking Through Drawing, in which Czech, Slovak, and Ukrainian artists Darja Lukjanenko (UA), Veronika Holcová (CZ), Jiří Kovanda (CZ), Jan Pfeiffer (CZ), and Dorota Sadovská (SK) are presented. The drawing line, whether on paper or in space with materials, is a powerful visual gesture of contemporary interdisciplinary artists. Drawing as an intimate gesture is perceived by many artists as the most direct medium for expressing ideas with a specific sense of attentiveness to noticing the large or small histories that are unfolding. The sketch of an idea has accompanied artists from time immemorial. By combining mind, eye, and hand, they can capture the world around us.

TRYST is a new international art fair for artist-run spaces and collectives. It also includes an international conference addressing the needs and future of global exchange among artists from artist-run spaces, collectives, and organizations.

Torrance Art Museum and City of Torrance. Torrance, California USA – City in Sout Bay in Los Angeles

Searching for the lost worlds / Druden and Ray Gallery / Los Angeles

http://www.durdenandray.com/exhibitions-2023

 

 

 

Exhibition Searching for Lost Words, curated by Lenka Sýkorová and featuring two visual artists from the Faculty of Art and Design, Jiří Kovanda and Daria Lukianenko, will be held at Durdan and Ray Gallery in Los Angeles. The exhibition is scheduled to take place from 22 October to 4 November 2023. The participation in the event is supported by the internal grant of the Faculty of Art and Design (FUD), Programme to Support the Strategic Management 2023 in the field of education, the Gestor and the Short-Term Mobility Go and See for the year 2023, IDU.

Exhibitors: Jana Bernartová (cz), Jorin Bossen (ua), Petr Dub (cz), Roni Feldman (us), Brian Thomas Jones (us), Jiří Kovanda (cz), (pedagog fud ujep), Karolina Lizurej (pl), Darja Lukjanenko (ua), (doktorandka fud ujep), Jan Pfeiffer (cz), Hanna Råst (fi)

Curator: Lenka Sýkorová (cz), (lecturer at FUD UJEP)

The present can be defined as an uncertain, rapidly changing reality. We navigate its experiences simultaneously in the physical and virtual worlds. We live in a time when images once again become the most legible conveyors of information across cultures and continents. And our parallel digital identity brings a host of challenges on how to present ourselves and others. The present brings into focus the aesthetics of dystopia, myths, and the search for lost worlds. Self-identification is an increasingly complex process, and the quest for new cultural patterns often leads us to the paths of alternative worlds, referencing the contemporary aesthetics of seemingly endless fantasy series or neo-romanticism in contemporary art.

The exhibiting artists reflect the uncertainty of the present and a certain quest for lost worlds, where every shadow can be understood in the context of Plato’s ideas as a reflection of the absolute truth of reality. The societal challenges of recent years have taught us to pay greater attention to daily events, to moments of slowing down, and to fully perceive the here and now. Drawing, as an intimate gesture, is perceived by many artists as the most direct medium for expressing experiences with a specific sense of attentiveness to both major and minor histories unfolding. Drawing provides a space where you can slow down. You can also contemplate through drawing. The sketch of an idea has accompanied artists since time immemorial. By combining mind, eye, and hand, they can capture the world around us. The fusion of thought and drawing is the foundation for the creation of the curatorial project.

Konkrétní rezonance Miriam Kaminská a Jan Pfeiffer / Curator Contemporary / U Lužického semináře 12, Malá Strana Ptraha 1